Archives: Events

Following the success of Warren James and his telling of The Lonnie Donegan Story we are delighted to invite the band back to perform for us a more broad and varied selection of songs that had England swinning throughout the 1950s Skiffle Boom. As well as ‘The King of Skiffle’, Lonnie Donegan, the Skiffle Boom also prouduced hit records such as Freight Train for Chas McDevitt and Nancy Whiskey, Last Train to San Fernando for Johnny Duncan, as well as hits for The Vipers, including Don’t You Rock Me Daddio, Cotton Fields and Maggie Maggie May. Many jazz stars of the day had their own skiffle groups, including, Chris Barber, Ray Bush, The Avon Cities Skiffle Group and the City Ramblers. Skiffle was the launch pad for an entire generation of musician, many became jazz players, many went on to influence the 60s folk revival, whilst many more became the pop stars and hit makers of the 50s and 60s. Come and experience the music that was once described as “The Poor Man’s Jazz” and “Britain’s Jug Band Craze” but will always be “The Music that Made Britain Swing”.

Hot Fingers welcomes you to an eclectic mix of vintage acoustic music. As well as the red hot jazz of 1920’s New York, there will be sophisticated 1930’s Swing. The band re-create the ‘French Coffee House’ sound of the king of gypsy swing Django Reinhardt, the blues guitars of Eddie Lang and Lonnie Johnson, and the syncopated Latin rhythms of Argentinean Oscar Aleman, this is mixed with vocals from the song-writing greats, crooners such as Bing Crosby and Al Bowlly, and hokem from the likes of Cliff ‘Ukulele Ike’ Edwards. From Jump-Jive to swing, from the Charleston to Bossa-Nova, Hot Finger’s wide range of styles and rhythms makes them popular with both sit-down audiences and dancers alike. The band comprises Spats Langham (banjo, guitar, ukulele), Danny Blyth (bass clarinet, guitar) and Malcolm Sked (sousaphone, double bass). They will be joined by the superb vocalist Emily Campbell who adds a touch of class with her plaintive vocals, drawing inspiration from the likes of Peggy Lee and Ella Fitzgerald.

Hot Fingers welcomes you to an eclectic mix of vintage acoustic music. As well as the red hot jazz of 1920’s New York, there will be sophisticated 1930’s Swing. The band re-create the ‘French Coffee House’ sound of the king of gypsy swing Django Reinhardt, the blues guitars of Eddie Lang and Lonnie Johnson, and the syncopated Latin rhythms of Argentinean Oscar Aleman, this is mixed with vocals from the song-writing greats, crooners such as Bing Crosby and Al Bowlly, and hokem from the likes of Cliff ‘Ukulele Ike’ Edwards. From Jump-Jive to swing, from the Charleston to Bossa-Nova, Hot Finger’s wide range of styles and rhythms makes them popular with both sit-down audiences and dancers alike. The band comprises Spats Langham (banjo, guitar, ukulele), Danny Blyth (bass clarinet, guitar) and Malcolm Sked (sousaphone, double bass). They will be joined by the superb vocalist Emily Campbell who adds a touch of class with her plaintive vocals, drawing inspiration from the likes of Peggy Lee and Ella Fitzgerald.

A hot dance band that falls outside the remit of most traditional jazz outfits both in style and repertoire.  Picture the 1920’s/1930’s dance hall or ballroom, the musicians on stage immaculate in their tuxedos, and the glamourous female vocalist seated stage, right, waiting for her turn to arise and perform the newest songs of the period.  Then comes the jazz solos.  Sheila Fawkes (vocals), Jon Penn (piano), Terry McGrath (trombone and saxophone), Mark Johnson (double bass/sousaphone), Geoff Over (banjo/guitar),

Hot Fingers welcomes you to an eclectic mix of vintage acoustic music. As well as the red hot jazz of 1920’s New York, there will be sophisticated 1930’s Swing. The band re-create the ‘French Coffee House’ sound of the king of gypsy swing Django Reinhardt, the blues guitars of Eddie Lang and Lonnie Johnson, and the syncopated Latin rhythms of Argentinean Oscar Aleman, this is mixed with vocals from the song-writing greats, crooners such as Bing Crosby and Al Bowlly, and hokem from the likes of Cliff ‘Ukulele Ike’ Edwards. From Jump-Jive to swing, from the Charleston to Bossa-Nova, Hot Finger’s wide range of styles and rhythms makes them popular with both sit-down audiences and dancers alike. The band comprises Spats Langham (banjo, guitar, ukulele), Danny Blyth (bass clarinet, guitar) and Malcolm Sked (sousaphone, double bass). They will be joined by the superb vocalist Emily Campbell who adds a touch of class with her plaintive vocals, drawing inspiration from the likes of Peggy Lee and Ella Fitzgerald.

Hot Fingers welcomes you to an eclectic mix of vintage acoustic music. As well as the red hot jazz of 1920’s New York, there will be sophisticated 1930’s Swing. The band re-create the ‘French Coffee House’ sound of the king of gypsy swing Django Reinhardt, the blues guitars of Eddie Lang and Lonnie Johnson, and the syncopated Latin rhythms of Argentinean Oscar Aleman, this is mixed with vocals from the song-writing greats, crooners such as Bing Crosby and Al Bowlly, and hokem from the likes of Cliff ‘Ukulele Ike’ Edwards. From Jump-Jive to swing, from the Charleston to Bossa-Nova, Hot Finger’s wide range of styles and rhythms makes them popular with both sit-down audiences and dancers alike. The band comprises Spats Langham (banjo, guitar, ukulele), Danny Blyth (bass clarinet, guitar) and Malcolm Sked (sousaphone, double bass). They will be joined by the superb vocalist Emily Campbell who adds a touch of class with her plaintive vocals, drawing inspiration from the likes of Peggy Lee and Ella Fitzgerald.

Louis Louis Louis are a 4-piece band from Leeds, originally formed in 2011 as a tribute to Louis Prima and Louis Jordan. Over the years, they have extended their repertoire somewhat, and have become specialists in vintage vocal-harmony music, including swing, jump blues, doo wop, rocksteady and soul.

Louis Louis Louis are a 4-piece band from Leeds, originally formed in 2011 as a tribute to Louis Prima and Louis Jordan. Over the years, they have extended their repertoire somewhat, and have become specialists in vintage vocal-harmony music, including swing, jump blues, doo wop, rocksteady and soul.

Formed in 2012 Washington Whirligig has quickly gained an enviable reputation for its versatility and professionalism. Catering for all occasions from birthdays and anniversaries to formal dances and corporate entertainment, they have also taken the jazz club scene by storm, earning praise and gaining great reviews wherever they perform. Playing early New Orleans through to driving mainstream jazz, swing and blues, they have a programme for every occasion. All band members are experienced musicians, respected within the industry, ensuring your event will be a memorable day. “Whirligig by name and by nature, this recently formed band is a joy to both listen to and play with. Their enthusiasm, endeavour and the excitement they create on the bandstand will, in my opinion as an occasional guest member of the band, take them a long way toward their drive to success. As with many other bands, the Alex Welsh Band are among their influences and inspirations, but with one difference, they play with the fire and drive of their idols, missing in so many other “tribute” bands. I will be happy to play with this band as often as they ask me to” Jim Douglas, guitar and banjo, Alex Welsh Band, 1963 to 1981. Dave Hepworth (clarinet & tenor sax), Andy Bramall (guitar, banjo & vocal), Rob Cotterell (Drums), Liz Hepworth (bass & vocal) & Andy Henderson (trumpet & vocal).

Formed in 2012 Washington Whirligig has quickly gained an enviable reputation for its versatility and professionalism. Catering for all occasions from birthdays and anniversaries to formal dances and corporate entertainment, they have also taken the jazz club scene by storm, earning praise and gaining great reviews wherever they perform. Playing early New Orleans through to driving mainstream jazz, swing and blues, they have a programme for every occasion. All band members are experienced musicians, respected within the industry, ensuring your event will be a memorable day. “Whirligig by name and by nature, this recently formed band is a joy to both listen to and play with. Their enthusiasm, endeavour and the excitement they create on the bandstand will, in my opinion as an occasional guest member of the band, take them a long way toward their drive to success. As with many other bands, the Alex Welsh Band are among their influences and inspirations, but with one difference, they play with the fire and drive of their idols, missing in so many other “tribute” bands. I will be happy to play with this band as often as they ask me to” Jim Douglas, guitar and banjo, Alex Welsh Band, 1963 to 1981. Dave Hepworth (clarinet & tenor sax), Andy Bramall (guitar, banjo & vocal), Rob Cotterell (Drums), Liz Hepworth (bass & vocal) & Andy Henderson (trumpet & vocal).